Large Colombian emerald pocket watch, c1600.
Museum of London.
For 300 years a buried treasure lay below a busy London street. No-one knew the hoard was there till workmen were demolishing a timber-framed building in Cheapside, near St Paul's Cathedral and St Mary-le-Bow.
The business had stood on the site since the C17th, but the cellars were older and lined with brick. The row of houses on the south of Cheapside was owned by the Worshipful Co. of Goldsmiths, formerly London’s centre of the manufacture and sale of gold and jewellery under Queen Elizabeth I. The shops sold of luxury goods, including jewels.
The location was probably the premises of a Jacobean goldsmith, and the hoard was thought to have been a jeweller's working stock, buried in the cellar during the English Civil War (1642-6). Goldsmith's Row was destroyed in 1666’s Great Fire of London then the buildings were rebuilt by the Goldsmiths' Co soon after.
The workmen started to excavate the cellars with their tools in 1912, and while they were breaking up the floor, they noticed glitter in the soil below. They realised that they’d struck the remains of an old wooden casket, and to their immense delight a tangled heap of jewellery, chains and rings, gems and other precious objects fell out. They had uncovered what is now called The Cheapside Hoard, a great cache of early jewellery and one of the most amazing recoveries from British soil.
The business had stood on the site since the C17th, but the cellars were older and lined with brick. The row of houses on the south of Cheapside was owned by the Worshipful Co. of Goldsmiths, formerly London’s centre of the manufacture and sale of gold and jewellery under Queen Elizabeth I. The shops sold of luxury goods, including jewels.
The location was probably the premises of a Jacobean goldsmith, and the hoard was thought to have been a jeweller's working stock, buried in the cellar during the English Civil War (1642-6). Goldsmith's Row was destroyed in 1666’s Great Fire of London then the buildings were rebuilt by the Goldsmiths' Co soon after.
The workmen started to excavate the cellars with their tools in 1912, and while they were breaking up the floor, they noticed glitter in the soil below. They realised that they’d struck the remains of an old wooden casket, and to their immense delight a tangled heap of jewellery, chains and rings, gems and other precious objects fell out. They had uncovered what is now called The Cheapside Hoard, a great cache of early jewellery and one of the most amazing recoveries from British soil.
Gold scent bottle, the bejewelled handle hung from a chain.
White enamel with milky chalcedony carvings of leaves, rubies, sapphires and diamonds.
Museum of London.
When the hoard was cleaned, the workmen sold the items to an antiques dealer who frequently paid labourers cash for special finds from London building sites. The dealer was appointed by Guildhall Museum to search for new items for its collection and became Inspector of Excavations for the new London Museum in 1911. NB the Goldsmiths' Co. did not declare ownership of the finds, and no treasure trove inquest was held!
Viscount Lewis Harcourt provided the funds for the London Museum Kensington to purchase most of the Hoard in 1912, though some pieces went to the British Museum and the Guildhall Museum, 5 items were bought by the Victoria and Albert Museum and 25 pieces by the British Museum. The entire hoard of Elizabethan and early Stuart jewellery was brought together for the first time in 100 years for a recent exhibition Cheapside Hoard: London's Lost Jewels.
The Cheapside Hoard was special because so little jewellery of this era survived, so little information on London’s role in the international gem trade in an age of global conquest and exploration was available
The hoard in its entirety represents the stock-in-trade of a working goldsmith-jeweller so its presence in Cheapside is highly significant. This street was not only the principal artery of the City, its ceremonial route and main shopping street, but was also the hub of the goldsmiths’ trade. The Hoard contained a fine array of 500 dazzling jewels and gemstones from many parts of the world. It included topaz and amazonite from Brazil; ruby from Burma; Afghan lapis lazuli; peridot from the Red Sea; Bohemian and Hungarian opal, garnet and amethyst; sapphires, diamonds and rubies from India; spinel and chrysoberyl from Sri Lanka; pearls from Bahrain; turquoise from Egypt and Persia; and Byzantine classical gems which had been in circulation for centuries when the Hoard was buried.
Gold fan holder, white enamel and Colombian emeralds.
Museum London.
This international treasure might have been brought back to England from the East Indies in 1631, perhaps assembled by the Dutch jeweller Gerald Polman. He died en route, and his gem chest was taken by the carpenter's mate on the ship who was eventually forced to surrender the box. The contents went to Robert Bertie 1st Earl Lindsey, Treasurer of the East India Co. (He died at Battle of Edgehill in 1642).
Some of the display cases and portraits provided further information about the gem trade, or clothing fashions of Elizabethan England. See the contemporary portraits that provided a great record of how some of the jewels on display were worn. In the portrait of Countess Elizabeth Wriothesley from the National Portrait Gallery, she was wearing ruby or garnet earrings, like those found in the hoard. A small red intaglio stone seal bore the arms of William Howard 1st Viscount Stafford, exactly dating the burial of the hoard between his ennoblement in Nov 1640 and the Great Fire of London in 1666 which destroyed the area.
Fortunately the curators helped visitors see the size and the minute detail. First, large and strong magnifying glasses have been provided to magnify the objects. Second, around the exhibition are a number of video presentations showing how objects were made eg pearl pendants that were worn as earrings or hair pendants. The pendant showed highly skilled enamelling and metalsmithing.
See a clock set in an exquisite, large Colombian emerald crystal dated c1600. The unique round emerald had been hollowed out by the maker to hold a Swiss watch movement, and used the removed material to embellish the metalwork, Green enamel decorates various parts of the watch, for nobility.. Then contrast it with the green Elizabethan timepiece with the amethyst cameo of Byzantine age.
Historians want to know exactly why the Cheapside Hoard was buried and by whom. And why did the owners never return to retrieve it? Nonetheless the exhibition clarified what was known about the national and international objects and the research it promoted, revealing much about craftsmanship and wealth in C16th and early C17th London.
The Hoard is not currently on display in the Museum of London. A purpose-built gallery for the permanent display of the Hoard is planned for a new museum in Smithfield, scheduled to open in 2024.
Salamander brooch, gold set with emeralds and diamonds
Museum of London
25 comments:
Gold, gemstones, jewels are always a fascinating subject!
Cheapside Hoard sounds like an amazingly significant treasure found in English soil.
Great idea to provide visitors at the exhibition with magnifying glasses, and video presentations!
The pendants look exquisite! It is amazing how wealthy the royals and the riches are to acquire these items
What a delicious subject! I occasionally come across images of select items from the Cheapside Hoard but haven't been to the museums to have a good goggle at them all. This must be rectified! Beauty aside, there's much to be fascinated by the find. Such as the idea that decades, even centuries, after the hoard was stashed, tenement dwellers, who could only dream about a different life, were living only feet above this treasure trove.
The salamander brooch set in gold with emeralds and diamonds is special.
DUTA
the magnifying glasses and the video presentations were essential ideas, yes indeed, because the stunning and minute detail of the jewels is so easy to miss. I even had to expand the photos for this blog.
I will add a photo of a gem in someone's hand, just to see its relative size.
roentare
the royals and nobles must have had endless money, to pay for these diamonds, gold, emeralds, pearls etc! So it is interesting that no wealthy family claimed the hoard, even after the Great Fire of London ended.
Pipistrello
we have to assume that the Bubonic Plague and the Great Fire of London sooo destroyed peoples' families, homes and businesses that they could never return to a normal life again. Like Covid, only much much worse.
But Cheapside was already a very special area - the Worshipful Company of Goldsmiths worked in London’s most fabulous centre of gold and jewellery. [Even in the 20th century, I loved crawling around every inch of the luxury workshops]. Anyhow, there was no way of knowing what the workers would find back in 1912, when they were pulling up the cellar floors. But the goldsmiths and jewellers in Cheapside might have been an inspired locational guess :)
Deb
the salamander brooch is unlike anything I have ever seen. I will add an image to the post straight away so that you can see the gold and emeralds easily, but you will have to look for the diamonds more carefully.
I missed that exhibition annoyingly. I knew it was on but just didn't get a ticket before they were sold out. The Museum of London closes on the 4th Dec and will be relocating to Smithfield market. The date of its opening is still to be announced but you can be sure I'll one of the first visitors and hopefully get to see some of the Cheapside Hoard.
Fun60
I spent the best 2 years of my life living on London, seriously underpaid but close to every gallery and exhibition that we could never have seen in Australia. My thesis was on Huguenot goldsmiths.. a sublime subject *sighs happily*
Thanks for the valuable information and insights you have provided here.
Chilbach
thanks for reading the post. What is your particular area of interest?
Thank you Helen for all these interesting Informations and adorable photos!
Now I have another reason to travel to London in 2024 - though who needs a reason, even if it is such a beautiful one?
Why wait... 2023 is coming up. And London has so many gems to revisit!
Britta
I love Australia's galleries and museums, but London has a much bigger population than Melbourne has, plus London is much closer to all the European cultural centres when it comes to sharing treasures.
So you and I must plan to meet at the new museum in Smithfield in 2024 :)
House Buyer
What type of gold and jewels are you most interested in?
Ishaq
thank you for reading the post, and enjoying it. For an engineer, I am very pleased you enjoy beautiful things.
Hi Hels - I went to this exhibition and wrote about it in detail in March 2015 ... it was quite extraordinary ... in fact I went twice and took a friend with me ... she was blown over too.
I've been to a few exhibitions at Goldsmiths Hall and their new teaching establishment nearby where they foster brilliant metal workers and creatives ... I've written those up too at various times in the blog.
The story of the find was so fascinating ... cheers Hilary
Hilary
Thank you! This weekend I will have a close look at your posts; it isn't very often I find a blogger with similar passions.
Hilary
I had a good look at your terrific post about the Exhibition the Goldsmiths’ Company that they displayed in conjunction with the World Gold Council. Thank you.
More than likely we could put on a goldsmiths' exhibition in Australia, but it would start later in history, end earlier, be smaller and less diverse :(
The Museum of London (the London Wall site) is closing this week. The new Smithfield museum that you mention will be the new home of the Museum of London when it reopens.
The pieces in the Cheapside Haul are so beautiful and ornate. They were on display during one of my visits to the museum but we'd gone to see something else
Anonymous/Mandy
don't worry about missing on a message of yours. As careful as I am about not ever commenting as Anonymous, it still happens once a week or so :(
I wonder if the purpose-built gallery for the permanent display of the Hoard that will be opening in Smithfield is necessary. The items are beautiful but limited in number and size.
I shall be sure to report when it reopens!!
Your insights on this topic are so valuable. I will definitely be referring back to this post in the future."
Who is the Father
Father
I am very pleased when an electrical engineer and web developer reads blog posts on decorative arts and other non-engineering topics :) Blogging broadens all our horizons.
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