The Stamp Thief was a documentary investigating a Holocaust event: that some unknown Nazi stole priceless stamp collections from concentration camp victims and buried the stolen stamps in a small town in Poland. Producer Gary Gilbert set out to confirm the story and recover the stamps. His approach: do a fake film shoot. His goal: to deliver justice by returning the stamps to their rightful owners or community.
The Stamp Thief documentary was written by Gary Gilbert, 2025
Reddit
Director Dan Sturman was an investigative journalist and is now noted L.A-based director, writer and producer who created Academy Award-winning documentaries. Sturman has since filmed many subjects, his works including quality documentaries shown at classy festivals eg Twin Towers.
Sturman and Gilbert debated about finding stamps stolen by the Nazi officer and buried in a basement in Legnica Poland. Stamp Thief set out to find the stamps after hearing the story from his fellow screen writer, David Weisberg. Who could invent a more intriguing premise? David's father, psychiatrist Paul Weisberg treated a fireman married to the daughter of the Nazi who allegedly stole the stamps from a concentration camp.
Nazi Trio, found by producer Dylan Nelson
Film Freeway
Stamp Thief was a probing search: while the Nazis occupied Poland in WW2, the Nazi officer whose job was to catalogue valuables belonging to Jews sent to camps saw his chance. Sadly this was not the case of a hero who disobeyed orders and tried to help the victims of the Holocaust. The Nazi officer, who decided to pocket millions of dollars worth of stamps stolen from the victims, buried them in the basement of his home. Thanks to the discovery of a detailed map showing the approximate location of the stamps, a group of Americans flew to Poland.
When the L.A television writer-producer learned that an SS officer probably stole stamps from Jewish concentration camp prisoners and hidden them in a Polish basement, the American launched a long quest to find the rumoured box of treasures, despite the minimal chance of locating them.
Sample of stamps from pre-WW2
JIFF
How Gilbert found about the stamps was an unlikely tale. It began with a psychiatrist who happened to have a patient in the 1970s. The patient told the story of the missing stamps, and the psychiatrist became so intrigued, he helped devise an elaborate retrieval plan to dig them up behind the Iron Curtain. He never followed through, but he shared the plan with his son, who happened to be an avid stamp collector. As the film unfolded, the pieces fell into place and the story became increasingly engrossing. The team that went to Poland in 2015 grew more invested in returning the stamps to their rightful owners. So does the audience!
The mission was steeped in symbolism. For Gilbert, a single stamp not only represented the many thousands of stamps stolen from Jews, but the 6 million who’d never reclaim their personal treasures. Gilbert knew the second he heard the story that he was going to go, because the only thing crazier than going would be to not go. What’s craziest was how Gilbert tried to retrieve the stamps. The more he talked to lawyers, the more he realised how difficult it was to get seized Jewish property out of Poland. So he planned to access the basement by pretending to use it as a film set for a fake historical drama. [It was hard labour, digging 4+’ into the basement ground that had been solid since WW2]. The Poland expedition meant deceiving the Polish building manager, residents and film crew, and members of the U.S team had to grapple with the ethics of their dishonesty!
The team included Sturman as well as Gilbert’s personal contractor who posed as the set designer. But Sturman really came to supervise the surreptitious dig for the stamps during fake rehearsals in the basement. Those involved all hoped that once the truth emerged, the misled people would see that the deceit happened to right a greater wrong.
Instead Polish reactions to discovering the truth were largely scary, but an unknown hero emerged in Polish crew member, Sylvia. She chose to fully support the Americans and their mission. Her decision as a Polish person was that each Polish person should have been self-responsible.
There were no criticisms in the on-line reviews, but here's my own feedback. I didn’t know the film was going to be about research and although that was my own fault, it was occasionally annoying. I wasn’t fascinated in their endless interviews, phone calls, meetings and letters. It might have been a fictional adaptation of the normal story of Nazis taking gold wedding rings & gold dental crowns from victims before they went into the gas chambers. And although I knew exactly why the team acted secretly and illegally as they did, the immorality of Lying for a Good Cause was barely tackled.
The mission was steeped in symbolism. For Gilbert, a single stamp not only represented the many thousands of stamps stolen from Jews, but the 6 million who’d never reclaim their personal treasures. Gilbert knew the second he heard the story that he was going to go, because the only thing crazier than going would be to not go. What’s craziest was how Gilbert tried to retrieve the stamps. The more he talked to lawyers, the more he realised how difficult it was to get seized Jewish property out of Poland. So he planned to access the basement by pretending to use it as a film set for a fake historical drama. [It was hard labour, digging 4+’ into the basement ground that had been solid since WW2]. The Poland expedition meant deceiving the Polish building manager, residents and film crew, and members of the U.S team had to grapple with the ethics of their dishonesty!
The team included Sturman as well as Gilbert’s personal contractor who posed as the set designer. But Sturman really came to supervise the surreptitious dig for the stamps during fake rehearsals in the basement. Those involved all hoped that once the truth emerged, the misled people would see that the deceit happened to right a greater wrong.
Instead Polish reactions to discovering the truth were largely scary, but an unknown hero emerged in Polish crew member, Sylvia. She chose to fully support the Americans and their mission. Her decision as a Polish person was that each Polish person should have been self-responsible.
There were no criticisms in the on-line reviews, but here's my own feedback. I didn’t know the film was going to be about research and although that was my own fault, it was occasionally annoying. I wasn’t fascinated in their endless interviews, phone calls, meetings and letters. It might have been a fictional adaptation of the normal story of Nazis taking gold wedding rings & gold dental crowns from victims before they went into the gas chambers. And although I knew exactly why the team acted secretly and illegally as they did, the immorality of Lying for a Good Cause was barely tackled.
I already knew that many modern Poles were still denying their nation’s part in the Holocaust. But the intractable mistrust between some Poles and Jewish Polish survivor families was not really challenged in the film.
Gary Gilbert, Judy Kirshner Gilbert, Elizabeth Malloy, Dan Sturman
in Hollywood, April 2025,
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