Gombrich
The Story of Art
However a 2006 revision basically wrote Janson out of his own book, though his name was still in the title. Works cited as masterpieces eg James Whistler Whistler’s Mother (1871) were ignored, while ignored disciplines (photography, decorative arts) were added. As were female artists. More-over it replaced Janson’s focus on the male artist as genius with a more comprehensive reading that considers race, class and gender. Though this most recent edition (2013) is now old, it remains useful.
2. Hal Foster, Rosalind Krauss et al, Art Since 1900 Compiled by contributors associated with October, the art-critical quarterly known for its dense writing, Art Since 1900 was published in 2005 as a corrective to standard art histories, while being aimed at a broader readership. Now published as a 2-volume set, the book retains October’s thorny attitude; it is sceptical of the notion that art embodies individual expressions that transcend time. So the book doesn’t follow the development of modernism, anti-modernism and post-modernism through movements or artists. Rather it treats C20th art to a textual deconstruction with short essays tied to cultural or historical events for each year 1900-2003, starting with the publication of Sigmund Freud’s Interpretation of Dreams. $160
3. Giorgio Vasari, Lives of the Artists. Vasari (1511-74)’s biographies of the Italian Renaissance’s key players introduced the concept of art history we know. Many of his subjects were his near contemporaries, making the text a primary source for studying the era that ushered in art’s Western tradition. First published in 1550, Lives covers the period bracketed by Cimabue (1240–1302) and Michelangelo (1475–1564) and is prefaced with a general treatise on architecture, sculpture and painting. Later historians faulted Vasari for being too focused on Florence’s and Rome’s artists, though the book was enlarged in 1568 to include Venetian artists like Titian. But while Lives didn’t look beyond Italy, its influence spread rapidly in Europe, the first translation being in the Dutch Republic (1604).
Janson's History of Art: The Western Tradition
by Davies & Hofrichter, 2015
5. HH Arnason, History of Modern Art (1968) It has 650+ daunting pages, but ever since its appearance it has served as the essential account of C20th art. The book begins with C19th Paris when artists like Manet, Monet, Gaugin, Van Gogh, Seurat and Cezanne created the first modernism. It continues by recounting the major movements: Cubism, Dada, Bauhaus, Surrealism, Abstract Expressionism and Pop Art that impacted the past 100 years of painting, sculpture and architecture. Using good illustrations and clear language, read the story of a revolutionary era that transformed our thinking about the world and art’s place in it. History of Modern Art is often updated.
6. Ernest Gombrich The Story of Art, 1950 He noted there was really no such thing as Art; there were only artists. Thus he set the tone of what has become one of art history’s most popular works. Avoiding sweeping discussions of movements, Gombrich focused on individual works of art and the figures behind them. Except for a few diversions into ancient and tribal art, this invariably meant Western, male painters. Still Gombrich took a remarkable stance for an art historian by maintaining that art history can obscure, as well as clarify the experience of art by relaying information unnecessary to the act of seeing. Linking artists as diverse as Raphael and Cezanne across time, Gombrich insists that they all faced similar challenges in their work. Their intentions matter.
7. Phaidon editors, The Art Book Smart and lavishly produced, Phaidon’s directory of artists across history is valuable. Ranging from the Middle Ages on, the book features 500 artists, each given the same lush treatment: a full-colour reproduction of a key work printed with breath-taking detail. Each entry has a brief text with a clear career overview of the artist. Since the artists are presented alphabetically, meet unexpected juxtapositions of eras and styles eg one pairing C17th Dutch painter Hendrick ter Brugghen and contemporary Frenchman Daniel Buren. Though The Art Book loves painting, it also covers sculpture, photography & installations.
6. Ernest Gombrich The Story of Art, 1950 He noted there was really no such thing as Art; there were only artists. Thus he set the tone of what has become one of art history’s most popular works. Avoiding sweeping discussions of movements, Gombrich focused on individual works of art and the figures behind them. Except for a few diversions into ancient and tribal art, this invariably meant Western, male painters. Still Gombrich took a remarkable stance for an art historian by maintaining that art history can obscure, as well as clarify the experience of art by relaying information unnecessary to the act of seeing. Linking artists as diverse as Raphael and Cezanne across time, Gombrich insists that they all faced similar challenges in their work. Their intentions matter.
7. Phaidon editors, The Art Book Smart and lavishly produced, Phaidon’s directory of artists across history is valuable. Ranging from the Middle Ages on, the book features 500 artists, each given the same lush treatment: a full-colour reproduction of a key work printed with breath-taking detail. Each entry has a brief text with a clear career overview of the artist. Since the artists are presented alphabetically, meet unexpected juxtapositions of eras and styles eg one pairing C17th Dutch painter Hendrick ter Brugghen and contemporary Frenchman Daniel Buren. Though The Art Book loves painting, it also covers sculpture, photography & installations.
Vasari,
Lives of the Artists
8. Richard Shone and Jean-Paul Stonard eds., Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss While an art history book about art history books is self-referential, this compilation of essays covering C20th milestones is a reminder of how closely developments in art are tied to changes in its study. Gathering a wide-ranging group of leading scholars and curators, The Books that Shaped Art History examines 12 volumes that introduced critical concepts to the field, starting with Religious Art in C13th France, by Émile Mâle in 1898. One of the first studies of medieval art, Mâle’s book was one of the first to use iconography to unlock the meaning of images. Heinrich Wölfflin’s Principles of Art History (1915) formulated the now common method of comparing artworks on style. The Books that Shaped Art History looks closely at how writing has shaped art and vice versa.
**
To read the books I was not familiar with (Mary Beard and John Henderson, Classical Art: From Greece to Rome; Sharon F Patton, African-American Art; Charles Harrison and Paul Wood eds, Art in Theory 1900–2000; and Whitney Chadwick, Women, Art and Society), go to ARTnews September 7, 2023.



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