Brynner’s father Boris (1891-1942) was a ?Russian engineer and his mother Marousia was ?Mongolian. While still young, Boris ran a key family owned import-export house in Vladivostok. Alas he left the family for a young Russian dancer in 1924 so Yuliy’s name was changed to Yul Brynner.
Marousia had to raise her children alone, so they travelled to Harbin China because Harbin had a large Russian population. Young Brynner loved watching the stagecraft of a noted cross-dressing Chinese opera star.
With tensions rising between Japan and China in the 1930s, Marousia moved the family to Paris in 1934 where Yul studied at Lycée Moncelle. He learned French of course, as well as speaking Russian and Chinese but preferred sports and music to classes. Brynner also began playing the guitar after hearing a touring Russian Gypsy troupe in Paris' Montmartre area. His debut came in 1935, as a guitarist with a Gypsy orchestra. Once Yul was fluent in French, he worked as a Parisien radio announcer.
Yul's sister Vera had married and begun a musical career in the US. In his early 20s, Brynner also travelled to the US where he drifted into acting with a touring company. He wanted to study with Anton Chekhov’s nephew Michael Chekhov, who’d relocated from Moscow Art Theatre director to US, establishing a new workshop in Ridgefield Conn. Brynner made a successful Broadway stage debut in 1941, in Shakespeare’s Twelfth Night. And he was on stage with both The Moon Vine (1943) and Lute Song (1946).
Then he became active as a director during the early days of tv at CBS. At this time he became a US citizen and wanted to enlist in the U.S Army. Rejected because of symptoms of TB, he worked instead as a French-language broadcaster for the Office of War Information.
Yul was also an ardent humanitarian. Brynner visited refugee camps around the world, helping to expose the plight of millions of displaced people to governments and the UN. He was appointed a special consultant to UNHCR in 1959, which coincided with World Refugee Year. And through film and radio, he helped highlight the plight of refugees to ordinary citizens. Brynner was a noted photographer, and he wrote Bring Forth the Children: A Journey to the Forgotten People of Europe and the Middle East (1960), which included his pictures.
His most famous play and film, The King and I, were based on Margaret Landon’s Anna and the King of Siam (1944), inspired by the real-life adventures of a British governess who worked for Siamese King Mongkut. The Broadway production of The King and I by Rodgers and Hammerstein was a huge success for Yul between 1951-85. Not surprisingly he won a Tony Award in 1952 as best actor in a musical. Brynner continued to make return appearances in the stage production of The King and I, because because the show paid well and age-related changes in his appearance didn’t affect the role. In 30 years, he gave thousands of performances on stage as King.
The play was adapted for the film The King and I (1956) where Brynner gave his best ever performance as the irritating, yet caring king who shaved his head. He starred with Deborah Kerr, the musical film again scored by Rodgers and Hammerstein. He won an Academy Award for best actor in 1956. Interestingly the Thai government has never officially allowed the film to be shown there because of historical errors about the king.
The 1950s were important. Brynner made his film debut as a drug smuggler in Port of New York (1949), the first of his c45 films. Taking a leading role, he starred opposite Ingrid Bergman in Anastasia (1956), playing a crooked Russian refugee making a living in Paris. He was Dmitri in Brothers Karamazov (1958) playing opposite Claire Bloom, Lee J Cobb and William Shatner. Brynner starred as Solomon in another Old Testament epic, Solomon and Sheba (1959), with Gina Lollabrigida and George Sanders. One of Brynner’s best-known film roles was in The Magnificent Seven (1960), a western based on Akira Kurosawa’s Seven Samurai. Co-stars were Eli Wallach, Steve McQueen, Charles Bronson, Robert Vaughn and James Coburn.
His film career peaked in a great film Ten Commandments (1956), in which he starred as King Rameses with Charlton Heston’s Moses. Morituri (1965) was set in WW2, starring Brynner and Marlon Brando; and Madwoman of Chaillot (1969), a drama starring Katharine Hepburn. Finally he was a killer robot in the sci-fi adventure Westworld (1973).
In 1960s Brynner returned to Europe, taking Swiss citizenship. He continued to perform on the guitar, sometimes on film, and in 1967 he released an album, The Gypsy and I: Yul Brynner Sings Gypsy Songs.
Brynner smoked packets of cigarettes daily, and in 1983 was diagnosed with lung cancer. His last performance was in 1985 and he died that year.
Thank you to his historian son Rock who wrote a biography of the Brynner family: Yul: The Man Who Would Be King, 1989, with accounts of dad’s personal and professional successes and failures. Yul married actress Virginia Gilmore in 1944 but the marriage ended in 1960, after Rock was born in 1946. His second marriage was to Doris Kleiner and their child Victoria. His third marriage was to Jacqueline de Croisset plus two adopted orphans, which also ended in divorce. His 4th marriage in 1983, to Kathy Lee, lasted until his death. Also note his famous affairs with Judy Garland, Joan Crawford, Ingrid Bergman and others.
16 comments:
I greatly enjoyed The King and I. It is my mother's favorite, and as a result, I have watched the show with her numerous times throughout my life.
What happened to the Vladivostok mansion after the family left? It still looks very attractive.
He was an American actor, although he was born in Russia. I have not seen the films he starred in.
roentare
as children, we weren't allowed to see westerns, sci fi or anything violent. Thus like your mum, my parents also thought that The King and I was ideal for myself and my brothers.
Joseph
Vladivostok's Brynner mansion is one of the most beautiful early C20th architectural monuments, designed by German architect Georg Yunghendel, as was common in Vladivostok. The house was owned by Jules Bryner, one of the most famous manufacturers in the Far East. Aged 16, he ran away from home and settled in Yokohama then moved to Vladivostok, was granted Russian citizenship and bought large shipping company.
The mansion is also famous as where Jules Bryner's son Yul was born and spent his childhood. The Far Eastern sea steamship line's office is still on the mansion's premises. See https://vladivostok-city.com/places/all/all/953
Irina
Yul Brynner was a Russian citizen and spoke only Russian until he moved to Paris in his 20s. Later on he learned French and English fluently, but eventually he moved back to Switzerland and took European citizenship again. It is possible he also knew some Japanese, Mandarin and Cantonese.
I wish I could speak even three languages fluently!
Great to read about Yul Brynner. I enjoyed his films and saw The King and I, Magnificent Seven, and Ten Commandments many times. I also remember the story of being a gipsy and there was always some mystery about him. Thank you for sharing his childhood home. What a beautiful mansion it was too.
I had no idea he was so talented and accomplished. I simply know him from the King & I (of course) and vaguely from the Magnificent Seven. Fascinating!!
Thank you for sharing Yul Brynner's story. I never knew that the Thai government did not officially allow the King & I to be shown because of historical errors about the king. Interesting!
Patricia
I too saw The Ten Commandments, The King and I, Anastasia, Madwoman of Chaillot and The Brothers Karamazov, but many decades ago. I wonder if we saw these favourites again, decades later, if his films would appeal just as strongly.
Mike
I knew about his talents in acting, directing, singing and playing music. But I had no idea he was a professional photographer, a linguist, author and a humanist who dedicated years to refugees after WW2 ended.
Handmade
It was a bit inflexible of the Thai government to ban The King & I from being shown in their country because of historical errors about their King!!
The film was not a history PhD thesis; rather it was always meant to be a musical drama. There wouldn't be a film allowed anywhere in the world if historical facts had to be 100% perfect.
I rather liked him and have seen several of his film's way back.
In a bold and transformative move, Brynner chose to transform his personal struggle into a public campaign against smoking. In January 1985, during an appearance on "Good Morning America," Brynner spoke openly about his diagnosis and impending death, delivering a potent anti-smoking message. Posthumously, a public service announcement was released, featuring Brynner's stern warning: “Now that I'm gone, I tell you, don't smoke.”
I liked seeing him in the Magnificent Seven best of all. When I went to Vladivostok I could have visited his birth place but I declined but now I see your description I wish I had gone. But I only had two days to see Vladivostok and I wished to wander round the city at my own pace.
Hello Hels, I have seen some of Brynner's movies and was able to admire his talents as an actor. From various readings I understand that he was part of the artistic and cultured set of his time. Those who wrote about him seem to agree that he was the world's most conceited person (perhaps understandably so) and had many affairs with both men and women. There is a rather notorious set of photographs of the young Yul Brynner taken by the important photographer George Platt Lynes.*
--Jim
*More in keeping with our concerns here, George was the brother of Russell Lynes. I don't know if his works reached Australia, but Russell was the author of many very readable books on mass- and high culture, art and architecture. He is one of my favorite authors, and I recommend him highly.
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