Thank you to The Guardian. Kirchherr, Klaus Voormann and Jurgen Vollmer were friends who had all attended the Meisterschule für Mode, Textil and Grafik in Hamburg, and shared the same ideas about Europe’s existential movement, fashion, culture and music. In 1960 Voormann, Astrid's boyfriend, wandered around Hamburg and heard music coming from the Kaiserkeller Club. He entered and saw The Beatles perform: Lennon, McCartney, Harrison, Sutcliffe and Best.
L-R: John Lennon, George Harrison, Pete Best, Paul McCartney, Stuart Sutcliffe.
Kaiserkeller Club Hamburg, Aug 1960.
Photograph by Astrid Kirchherr
The Beatles at the Hamburg fairground, 1960
Photograph by Astrid Kirchherr
Voormann asked Kirchherr and Vollmer to listen to this new music, and Kirchherr soon decided that she wanted to be as close to the Beatles as she could. The trio of friends had never heard Rock n' Roll before, so they visited the Kaiserkeller Club almost every night, arriving at 9 o'clock and sitting in front of the stage.
In 1960, the photographer convinced the the band to accompany her to a nearby fairground where the first, now-iconic photos of the then-quintet were taken. The Beatles at that stage included Stuart Sutcliffe (bass guitar) and Pete Best (drums). And the photos are priceless.
She went out with Sutcliffe and cut his hair into the moptop style that came to represent the early Beatles, a style that she loved. After Sutcliffe's haircut, George Harrison asked her to do the same when she was visiting Liverpool. Lennon and McCartney had their hair cut in the same style while they were in Paris, by Kirchherr's friend Vollmer who was living there. Because she took the first photos of the band in Hamburg in 1960, the clothes and the hair, Astrid was credited with helping develop their visual style.
Sutcliffe was fascinated by the German trio, especially Kirchherr, and thought they looked like real Bohemians. Sutcliffe managed to meet them eventually, and learned that all three had attended the Meisterschule, which was the same type of art college that Lennon and Sutcliffe had attended in Liverpool. Kirchherr and Sutcliffe got engaged in Nov 1960. They went to Liverpool in mid 1961, as Kirchherr wanted to meet Sutcliffe's family and to see Liverpool before their marriage. Everybody was expecting a strange beatnik artist from Hamburg, but Kirchherr turned up at the Sutcliffe's house in Liverpool, bearing a single long-stemmed orchid in her hand as a present and dressed in a round-necked cashmere sweater and tailored skirt.
In 1962, Sutcliffe collapsed in the middle of an art class in Hamburg. He was suffering from intense headaches, and Kirchherr's mother had local doctors examine the British lad, although they were unable to determine the cause of the pain. While living at the Kirchherrs' house in Hamburg, his condition deteriorated. In April 1962, Mrs Kirchherr phoned her daughter at work and told her that Sutcliffe had been brought back to the house, and an ambulance was called. Kirchherr rushed home and rode with Sutcliffe in the ambulance, but he tragically died of a brain haemorrhage aged 21, alongside her in an ambulance.
3 days later Astrid Kirchherr met Lennon, McCartney & Best at the Hamburg airport and told them Sutcliffe had died. Harrison and manager Brian Epstein arrived by plane with Sutcliffe's mother, who had been notified by telegram. Harrison and Lennon supported the distraught fiancée.
Astrid remained friends with the Beatles, so she happily went on holiday with them in Paris in 1963, just after their first UK #1 single. Then she took more noted photographs of the band behind the scenes of their films especially A Hard Day’s Night (1964) and later photographed George Harrison for his solo album, Wonderwall Music.
In 1967, she married Liverpool drummer Gibson Kemp, who also had a Beatles connection: he replaced Ringo Starr in Rory Storm and the Hurricanes. The marriage ended in divorce after 7 years. She then worked as an interior designer, and then for a music publishing firm, getting married for a second time to a German businessman.
Kirchherr worked as an advisor in the biopic Backbeat in 1994, a film that portrayed her relationship with Sutcliffe and the Beatles during their early days in Hamburg. Then she returned to working as an interior designer, and also owned the K&K Photography shop in Hamburg where they sold custom vintage prints, books and artwork.
Astrid Kirchherr with Ringo Starr and John Lenon on a train
during the filming of “A Hard Day’s Night”, 1964
Photo credit: LA Times
She died in 2020 aged 81, and appropriately it was the Beatles’ historian Mark Lewisohn who wrote her obituary.
12 comments:
Thank you for your paper on Monday.
I too loved the Beatles but I don't think I knew of Astrid Kirchherr.
Am I the only one who thinks the beatles were overrated? I might get shot for this lol.
https://aab-edu.net/
Limmud Oz Fan
Many thanks :) When I couldn't remember Astrid myself, I thought it might be because of elderly brain sluggishness. But no, I still remember every word of Please Please Me (1963), A Hard Day's Night (1964), Help! (1965), Sgt Pepper's Lonely Hearts Club Band (1967), Hey Jude (1968), Yellow Submarine (1969), Let It Be (1970) and Let It Be (1970).
Poor Astrid. I hope at least she got pleasure and fame from the book Astrid Kirchherr: A Retrospective.
Shaban
I suppose it depends on how old you were in 1964 :) And how strict your parents and school were. The first time in 12 years that I had ever wagged school was when the Beatles came to Melbourne. They were gorgeous to look at and their music was amazing.
Hello Hels, Instead of seeking out what was safe and established, Astrid Kirchherr got caught up in the excitement of what was new and cutting edge, and ended up with a ring-side seat and an important role in one of the greatest phenomena of her time. This is solidly in the tradition of the artistic and literary salons which have often been featured in your blog.
--Jim
I've never heard of her. What an interesting back story. Aren't the latter two photographs just brilliant. I'm afraid I am a bit on The Beatles are overrated side. Perhaps I was just a bit too young to appreciate them at their peak.
Parnassus
safe and established Vs new and cutting edge, yes. Not only was Astrid young and female, but she survived WW2 and depressed post-war Germany. So being talented was probably not enough by itself - she needed to have supportive mentors, colleagues and customers.
Hamburg was a good decision for the young Beatles, wasn't it?
Andrew
the early photos were black and white, powerful and evocative. Have a look, for example, at photofocus: https://photofocus.com/featured/on-photography-astrid-kirchherr-1938-2020/
Hi Hels - I hadn't been aware of her til recently ... but see she played an important role in their lives ... and it's history isn't it. Thanks for this update on her and her relationship with the Beatles ... take care - Hilary
Hilary
Historical records are interesting, aren't they? Documents/photos/clothes etc can be destroyed, lost or sold to private collectors, rivals can lie and close family witnesses can die. Even though the Beatles were probably the best known humans on the planet, it took another c45 years before Astrid's images went on display in Liverpool and were published in a quality book.
I wonder what other historical documents etc are yet to be located and published.
Photographer Robert Freeman’s musical taste brought him to the attention of Brian Epstein, manager of a Liverpudlian four-piece who were at that time storming the hit parade. In short order, Freeman became the Beatles’ most trusted photographer; he travelled with them on tour, discussing music and sharing a room with John Lennon, and was the go-to man for their album-cover portraits.
When the photographer Robert Freeman died in November 2019, he left behind a substantial, albeit disorderly, archive. But within weeks, his life’s work had gone missing – stolen from the sheltered accommodation in south-west London where he spent his final years. His archive was housed in a haphazard arrangement of boxes that filled an entire room of his home.
Stephen Patience
Stephen
That is amazing! The very last line I wrote last June was: I wonder what other historical documents are yet to be located and published? One can only hope that Robert Freeman's archives will be located and saved for history.
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