Amy Winehouse’s (1983-2011) family left Minsk in 1890 and followed
the familiar route from the East End of London to its northern suburbs.
Music was everywhere! Amy's maternal uncles were professional jazz musicians,
and her paternal grandmother, Cynthia, was a jazz singer. Her father Mitch
often sang Frank Sinatra songs to her.
As a young girl, Amy suffered from eating and anxiety disorders, and fame
made the situation worse. Luckily in 1992, grandma Cynthia suggested that
Amy attend the Susi Earnshaw Theatre School in Barnet, where she went
weekly to learn vocals and dancing. She attended the school for 4 years and
founded a rap group, before seeking full-time training at
Sylvia Young Theatre School in Marble Arch.
At 13, Amy received a guitar as a gift and began to compose. She appeared in several bars in the city and later, at 15, she began writing music and was soon working as an entertainment journalist for World Entertainment News Network. In July 2000, she became the main female vocalist with the National Youth Jazz Orchestra.
My own singing passion was Janis Joplin (1943-70) who died long before Amy was born. The artistic abilities of both Joplin and Winehouse were well known for: great vocal records; their way of expressing emotions via a melody; for being two of the great soul artists; and for their self-destructive lifestyle. The women performed with an appreciation of music’s lasting effect of touching the soul.
In mid-1999, her boyfriend was a singer named Tyler James who gave his producer a recording of Amy. Thus she began her musical career at 16, signing her first contract with Simon Fuller. After that, a representative of Universal heard Amy sing and presented her to the company. They quickly signed her second contract.
Amy’s debut album was called Frank (2003), named after Frank Sinatra. Winehouse co-wrote almost every jazz-influenced song! The album received critical acclaim for the cool, critical gaze in its lyrics; in fact this work gave her a nomination in the Mercury Music Awards and an Ivor Novello Award in 2004.
Amy met Blake Fielder-Civil in a London bar, and started a romance. In 2005, Blake ended the relationship with Amy to return to his ex-girlfriend, causing Amy to go through a time of consumption of pills for depression, violent mood swings and serious bulimia. Her manager tried to let her family know; Amy was very angry.
Amy Winehouse was her own worst critic. She desperately wanted to have children, but didn’t. She claimed to not be ambitious, yet she never stopped putting pen to paper. When she sang about “standing by her man” in Some Unholy War (2006), her voice effortlessly travelled from female subservience to swaggering domination. She could be lovelorn, and then turn that emotion on its head in stinging lyrics. None of these contradictions were new, and they were inherent in the music Amy loved.
At 13, Amy received a guitar as a gift and began to compose. She appeared in several bars in the city and later, at 15, she began writing music and was soon working as an entertainment journalist for World Entertainment News Network. In July 2000, she became the main female vocalist with the National Youth Jazz Orchestra.
My own singing passion was Janis Joplin (1943-70) who died long before Amy was born. The artistic abilities of both Joplin and Winehouse were well known for: great vocal records; their way of expressing emotions via a melody; for being two of the great soul artists; and for their self-destructive lifestyle. The women performed with an appreciation of music’s lasting effect of touching the soul.
In mid-1999, her boyfriend was a singer named Tyler James who gave his producer a recording of Amy. Thus she began her musical career at 16, signing her first contract with Simon Fuller. After that, a representative of Universal heard Amy sing and presented her to the company. They quickly signed her second contract.
Amy’s debut album was called Frank (2003), named after Frank Sinatra. Winehouse co-wrote almost every jazz-influenced song! The album received critical acclaim for the cool, critical gaze in its lyrics; in fact this work gave her a nomination in the Mercury Music Awards and an Ivor Novello Award in 2004.
Amy met Blake Fielder-Civil in a London bar, and started a romance. In 2005, Blake ended the relationship with Amy to return to his ex-girlfriend, causing Amy to go through a time of consumption of pills for depression, violent mood swings and serious bulimia. Her manager tried to let her family know; Amy was very angry.
Amy Winehouse was her own worst critic. She desperately wanted to have children, but didn’t. She claimed to not be ambitious, yet she never stopped putting pen to paper. When she sang about “standing by her man” in Some Unholy War (2006), her voice effortlessly travelled from female subservience to swaggering domination. She could be lovelorn, and then turn that emotion on its head in stinging lyrics. None of these contradictions were new, and they were inherent in the music Amy loved.
Winehouse's powerful contralto vocals were compared with those of
Sarah Vaughan (1924–90). She once described Vaughan’s vocal as
being like a reed instrument, like a clarinet. It was the sadness that
drew her in, and from the depths of that despair she brought a light that
flickered dangerously. But her broad kohl eyeliner and beehive hair were all
her own, armour she required to face the press, even as her fans continued
to love her.
Amy’s embodiment of jazz and R&B evolved between her two records Frank and her seminal Back To Black (2006). In this, her second and last studio album, she expressed her hardest personal experiences, her insolent vision of affectionate relationships and her submergence into drugs and alcohol. Strong lyrics! Months later Amy resumed her relationship with Blake and they married in Miami.
Her great hit Rehab (2006) began as a joke in a conversation with producer Mark Ronson, who told her the line, “They tried to make me go to rehab and I said no, no, no”. The rest came to her in five minutes. Influenced by Blake, Amy began to try stronger drugs. Two months after the wedding, Amy was hospitalised for an overdose. In June 2007, she was nominated for the Mercury Prize for that record!
In 2008 Amy went on to win 5 of her 6 nominations but could not attend because the US denied her a visa (due to her drugs). So she finally “attended” via satellite from London.
Winehouse developed emphysema as a result of smoking crack cocaine and endless cigarettes. She gave a string of highly successful performances during 2008, but in June she was suddenly hospitalised with a serious lung condition. Amazingly she left hospital for one evening to perform for Nelson Mandela’s 90th birthday celebration in Hyde Park.
They divorced in 2009 but her destructive alcohol and drugs continued. Often on stage she appeared drunk, or she had to cancel concerts altogether. On July 20th 2011, she was on stage at Camden Roundhouse, her final public appearance.
On 23rd July 2011, at 27, Amy Winehouse was found dead (from alcohol poisoning) in her London flat. Dad Mitch, who recently recorded and released his own jazz album, was performing at New York’s Blue Note that week, but flew straight home for the funeral. The Club of the 27, artists who died at 27 from drugs and alcohol, expanded eg Jimi Hendrix, Jim Morrison, Kurt Cobain, Janis Joplin etc.
Amy Winehouse: A Family Portrait at the Jewish Museum London in 2017 showed the real Amy through her personal belongings, from family photographs to fashion. The items reflected Amy’s love for her family, London and music.
Beyond Black — The Style of Amy Winehouse was to be an exhibit at Los Angeles’ Grammy Museum in 2020. Pandemic allowing, the exhibit featured Winehouse’s most memorable outfits and other wardrobe items, her perfume, handwritten lyrics, diaries, home videos, awards, her record collection and her vintage radio. Behind a glass case there was a list of her ambitions for fame.
Amy’s embodiment of jazz and R&B evolved between her two records Frank and her seminal Back To Black (2006). In this, her second and last studio album, she expressed her hardest personal experiences, her insolent vision of affectionate relationships and her submergence into drugs and alcohol. Strong lyrics! Months later Amy resumed her relationship with Blake and they married in Miami.
Her great hit Rehab (2006) began as a joke in a conversation with producer Mark Ronson, who told her the line, “They tried to make me go to rehab and I said no, no, no”. The rest came to her in five minutes. Influenced by Blake, Amy began to try stronger drugs. Two months after the wedding, Amy was hospitalised for an overdose. In June 2007, she was nominated for the Mercury Prize for that record!
In 2008 Amy went on to win 5 of her 6 nominations but could not attend because the US denied her a visa (due to her drugs). So she finally “attended” via satellite from London.
Winehouse developed emphysema as a result of smoking crack cocaine and endless cigarettes. She gave a string of highly successful performances during 2008, but in June she was suddenly hospitalised with a serious lung condition. Amazingly she left hospital for one evening to perform for Nelson Mandela’s 90th birthday celebration in Hyde Park.
They divorced in 2009 but her destructive alcohol and drugs continued. Often on stage she appeared drunk, or she had to cancel concerts altogether. On July 20th 2011, she was on stage at Camden Roundhouse, her final public appearance.
On 23rd July 2011, at 27, Amy Winehouse was found dead (from alcohol poisoning) in her London flat. Dad Mitch, who recently recorded and released his own jazz album, was performing at New York’s Blue Note that week, but flew straight home for the funeral. The Club of the 27, artists who died at 27 from drugs and alcohol, expanded eg Jimi Hendrix, Jim Morrison, Kurt Cobain, Janis Joplin etc.
Amy Winehouse: A Family Portrait at the Jewish Museum London in 2017 showed the real Amy through her personal belongings, from family photographs to fashion. The items reflected Amy’s love for her family, London and music.
Beyond Black — The Style of Amy Winehouse was to be an exhibit at Los Angeles’ Grammy Museum in 2020. Pandemic allowing, the exhibit featured Winehouse’s most memorable outfits and other wardrobe items, her perfume, handwritten lyrics, diaries, home videos, awards, her record collection and her vintage radio. Behind a glass case there was a list of her ambitions for fame.
14 comments:
Poor Amy. There was something so tragic and inevitable about The 27 Club. Really talented and successful performers who all died from drugs and/or booze, suicide or dangerous accidents. They either didn't care about living or did the risky behaviour on purpose.
Joseph
Because the growing list of tragic deaths occurring at 27 largely came from artists and musicians, I was thinking that creative people were in some way more vulnerable to anxiety, depression and addictions. But these were largely young people who were already going places, who knew their talents were finding public acclaim already. Amy had not managed well with romances etc, but she knew her voice and her music writing were great.
Hi Hels - her voice is definitely unique ... and her life gave us fantastic music, yet must have been a huge struggle for her. I saw the film on her life ... I'm sure 'not real' - but we got to hear lots of her music. Take care and enjoy listening to Janis and Amy ... all the best - Hilary
Hilary
Thank you....you have reminded me. On one hand we mourn because talented young women died so early and we will never know what they might have produced, had they lived another 50 years. On the other hand, we can be _very_ grateful to have their performances perfectly recorded for our listening pleasure.
Hello Hels, I just listened to some of Winehouse's recordings. She has an intense and interesting voice, although I could do without the heavy beat accompaniments. What a tragedy that so many artists who have their finger on the very pulse of life are also consumed by it.
--Jim
Yes a wonderful voice in such a very damaged person . She seems to have had severe mental health issues which no one around her who might have influenced her care and self care could fully grasp. Her dad in particular doesn't seem to have fully comprehended her psychiatric vulnerability .I doubt though, that in the end they could have saved her but they might have tried harder if they had foreseen the end in store for her . So incredibly sad . We really must do more to discover how to manage mental health issues better and better still to prevent them happening . Its just such a waste of human capital to not do so ,not mention the incredible suffering .
I only discovered her music and great talent after she died. A decade later, her music still holds up beautifully.
Parnassus
Amy was indeed consumed by a range of horrible conditions. Alcohol abuse, as we know, but other conditions we didn't know about - years of bulimia and anorexia, emphysema (lungs) and crack cocaine usage. Talent was never enough, clearly :(
mem
As we discovered in the pandemic year, mental health issues are not only the most frequent but usually the best hidden. So I agree 100% we really must do more to discover how to prevent and manage mental health issues better.
The problem is not that most parents, teachers and medical staff are not aware of mental health issues in 17 year olds; it is a horrible stage in many young peoples' lives. I would be asking was it totally missed in 27 year olds, and if not missed, then why not treated thoroughly? And when does maturity kick in, responsible for the patient's own care?
Andrew
Music appeals to us mostly from a particular era i.e one in which we discover and get passionate about the world independent of our parents' taste. So The Beatles, Crosby Stills & Nash, Simon & Garfunkel, Peter Paul & Mary etc have lasted in my head for decades. On the other hand Michael Jackson, Prince and Madonna disappeared from my memory without a trace.
Yet you are right about Amy's music still holding up beautifully. I listened to Going Back to Rehab today (https://music.youtube.com/watch?v=t2TKqJ2FXGM&list=RDAMVMt2TKqJ2FXGM) and was still moved by the words and the music.
I loved Amy's music so much that, after she died, it was years before I could listen to it again. The biggest element that emerged from her music was a searing, white hot honesty; something she had in common with many of the greatest artists. You are quite right about how some music has not lasted well; I think this tells us something about real artistic integrity rather than mere 'product'.
I met her father Mitch after he starred in a concert for a charity (which had aided my grandson when he had a lymphoma aged five).
I believe that, in one hundred years, the music of Beethoven, Mozart, Lennon & McCartney will still be appreciated, hopefully along with that of Amy Winehouse.
CLICK HERE for Bazza’s unexpectedly uxorious Blog ‘To Discover Ice’
Boa noite ela tinha uma voz potente. Pena que as drogas tiveram mais poder sobre a vida dela.
Luiz,
nod...Amy's voice was strong, distinctive and reminded me of jazz. I can't think of anyone else who sounded like that.
bazza
you have been touched by Amy twice, at first by her magic music while she was alive and again by her family after she died. I believe and hope she will be appreciated for a long time.
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