Jugendstil and Art Nouveau in Prague

Jugendstil was the art­is­tic style that arose in Germany in mid-1890s and continued until WW1 loomed. It derived its name from the Munich magazine Die Jugend-Youth, which featured Art Nouveau designs. Two phases were seen in Jugendstil: 1] the early pre-1900 style that was mainly floral in character, rooted in English Art Nouveau; and 2] a later, more abstract phase, growing out of the Viennese work of the Belgian-born architect Henry van de Velde.

The fate of Alfonse Mucha (1860-1939), Czech painter, ill­ustrator and graphic artist, worked in Paris at the turn of the century, then some time in the U.S. He returned to Prague in 1913. There he particip­ated in the décor­ation of several buil­dings, being an active proponent of Czech modern art. So if some of the Prague Art Nouveau artists came from Vienna or learned in Vienna’s architectural schools, especially Otto Wagner's, Czech artists grew their way into Art Nouveau. Wander around AN sites in Prague and notice that Prague Art Nouveau artists had their favourite decorative pattern: a set of tree branches with flat and overlapping leaves.

Some areas of the town were designed in Jugendstil style. But out­side the city’s inner centre, the general state of the buildings did not look good. The broken windowpanes, the falling plaster and the Art Nouv­eau door han­dles repl­ac­ed by standard ones were certainly due to the Russ­ian legacy. But there haven't been many reconstruction programmes as there were in western Europe, so most or­iginal Art Nouveau buildings were not pulled down in Prague.

Sunflower Door, Prague, 1900

Quora   

A romantic walk across the Vlata on Charles' bridge will show the great astronomical clock (unique except for Strasbourg Fr­ance), rectan­g­le stone towers, part of the ancient city wall with typ­ical steep slat­ed roof and four peaks in the angles. For Classical Music lovers, there is a concert in every church every day. Till 1918, Prague was part of the Austro-Hungarian Empire and then became the capital of Czechos­lov­akia (and later the Czech Republic).

But from the later C19th, independence movements arose. These voi­c­es claimed political autonomy and also cultural autonomy. In any case, Prague was not as broadly spread then as it is today. So a lot of Art Nouv­eau buil­d­ings that are today in Prague were in fact in other little indep­endent towns eg Smichov. Modern Prague started in the 1920s, and like many other large towns of that time in Europe, the capital city grew rap­idly. The era was contem­porary with fast rural depopulat­ion com­bined with start of industry. All the city walls were razed during later in the century.

The Sunflower Door was part of a building designed in the Art Nouveau style that was popular ac­ross Europe at turn of C20th. This decorative style was charact­erised by its use of nat­ural forms, curved lines and intricate floral-plant inspired motifs. The door bel­onged to the Art Nouveau movement expressing love for nature, with a prominent sunflow­er being a central design element. The door was created in historic Prague, a city known for its wide range of architectural styles, from Gothic & Baroque, to Renaissance & modernist. The Sunflower Door contributed to the city's reputation as an architectural treasure trove and is a bel­ov­­ed detail among the city's many historic buildings. It was a beau­t­­iful example of how everyday obj­ects like doors were transformed into works of art in Art  Nouveau period, and remain today.

This Sunflower Door was built in 1900 by Czech architect Osvald Polivka (1859-1931), associated with the Secession-Art Nouveau period in Prague. Expl­ore the feminine con­tent of image graphics. There is an ancient language structure that assigned either a feminine or mas­cul­ine attribute to an action. eg the person waiting to catch a ball is in fem­inine-passive; the ball thrower is in masculine-active mode. Sex­ual designations based on body functions have been part of lan­guage as a form of classifying and adding understanding to the world.

Hilbert House, 1904

Sidewalk Safari

Designed in 1904 by Czech architect Kamil Hilbert with period decorations by Karel Novák, this is Hilbert House. The nicely curved arabesque metal work integrates very well with the carving on this street entrance door. The arabesque style glass bord­er­ing etching adds an additional transitional detail between the interior and exterior of the window. The arabesque radial pattern above the door functions like other Art Nouveau doors.

Villa Henlenka 

designed by Alois Korda in 1903

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Villa Henlenka was designed by Alois Korda in 1903. With its angle tower and floral glazing, this villa accumulated many Art Nouveau and tradit­ional features. Although it is the best example of Jugendstil villa near Prague, today the villa requires a lot of renovations.

                                      

Municipal House, 1905-11

architect Osvald Polivka
Prague Now

Municipal House (1905-11), designed by Osvald Polívka, was Prague’s most vigorously art-nouveau building. Every detail of its design and decoration was carefully considered and every painting and sculpture was loaded with symbolism. The city authorities wanted a multi-purpose building which offered not only public services but also cultural events eg concerts in Smetana Hall. The most symbolic nationistic event in Municipal House was Czechoslovak Declaration of Independence, 1918. Extrav­agantly decorated both inside and outside by leading Czech artists, it conjures up fin de siècle atmosphere. Restored in the 1990s after decades of neglect, the perfect decorations are in the restaurant.

Bilek Villa, 1911

WanderBook

Hilbert House (1911) was sculptor and architect František Bilek’s studio and home, complete with semi carved stones and bricks. The whole building has been designed by Bilek from the furniture to the door handles, a perfect building to be used as a Museum about Bilek’s sculpture work. Brick work masonry was articulated by pillars in form of corn sheav­es, trying to express Bilek’s view on substance of life.

Dancing House, 1992-6

modern and deconstructivist architecture

Wiki

 

Dancing House was designed by Czech architect Vlado Milunić & Canadian Frank Gehry on a perfect riverfront space. It consists of 2 cylindrical towers in daring shapes, it resembles two people swaying and dancing to music. One tower one bends at the middle, curving back, inspiring many to think of Ginger Rogers twirling about in the arms of Fred Astaire. In a city known for 1000 years of art & architecture, this modern building in Prague provided a sleek and modern contrast to the Gothic, Baroque and Art Nouveau standouts all around the town. The French restaurant on the top floor is very elegant.