Weeping Woman by Picasso, 1937
National Gallery of Victoria
In 1986 Mark Holsworth wrote a long essay on the aesthetic issues of art forgery in his uni studies, but it was a true-crime book. Then his academic interest grew. He attended seminars on forgery, his interest in Melbourne’s public sculpture introduced the theft of bronze sculptures for scrap metal. His first book was Sculptures of Melbourne. I (Helen) was not very interested in sculpture, but Mark Holsworth is the writer of an excellent blog, Black Mark.
Holsworth was constantly sitting in the Supreme Court conducting interviews and exchanging messages with convicted forgers, graffiti writers, defence lawyers and courtroom artists. He thought there might be enough crimes involving art in Melbourne alone to fill a book, from the attempted destruction of Serrano’s Piss Christ and Liberto forgeries, to art stolen from Albert Tucker’s home. While the Weeping Woman crime was noted globally, other stories of crimes, from colonial to modern, were less well known. And Mark soon learnt of crimes in other Australian cities that could not be omitted. There were intriguing art thefts in South Australia, an early attempt of prosecution for forgery in Sydney and an entire exhibition of fake Jackson Pollock in Perth. Over a century of art crimes across Australia!
Holsworth was constantly sitting in the Supreme Court conducting interviews and exchanging messages with convicted forgers, graffiti writers, defence lawyers and courtroom artists. He thought there might be enough crimes involving art in Melbourne alone to fill a book, from the attempted destruction of Serrano’s Piss Christ and Liberto forgeries, to art stolen from Albert Tucker’s home. While the Weeping Woman crime was noted globally, other stories of crimes, from colonial to modern, were less well known. And Mark soon learnt of crimes in other Australian cities that could not be omitted. There were intriguing art thefts in South Australia, an early attempt of prosecution for forgery in Sydney and an entire exhibition of fake Jackson Pollock in Perth. Over a century of art crimes across Australia!
I was fascinated in art crimes, but Holsworth actually did something about them. Long interested in art crimes, he had been building up a file of newspaper clippings since he first heard Picasso’s Weeping woman was stolen from the NGV. He included the first break-in at the Adelaide Art Gallery, an entire exhibition of forged Pollocks, paintings stabbed, art prosecuted as pornography and decapitated statues. There were great artists, including Renoir, Brett Whitely and Albert Tucker and some infamous criminals, including people who had been once respected.
The Picasso Ransom (2023) was Mark’s second book, a collection of 45 true-crime stories about the visual arts in Australia, appealed enormously. He included art theft, forgery, censorship, vandalism and protest. Later he launched the book at Coburg’s Woodlands Hotel in Mar 2023 - I would have loved to have heard the Q & A with the author.
The book is available from the usual online sellers eg in Australia and New Zealand through Amazon, Dymocks and Booktopia; in Canada and US through Barnes and Noble, and in Europe and UK through Blackwells.
Now read Trends and Issues in Crime and Criminal Justice series: General Editor Dr Adam Graycar, Director of Australian Institute of Criminology, Canberra
Mark Holsworth and his book,
The Picasso Ransom
Q & A session, 2023
When I was choosing a chapter to include in this blog post, I felt it had to be about an art-family my late parents were very close to i.e Joseph Brown or Victor Smorgon. So here is my favourite Melbourne chapter in the book, Loti’s Renoir. When immigrant butcher Victor Smorgon promised his wife a Renoir at their 1937 wedding, she had to wait 41 years to see it. The Smorgons were doing very well when, in 1978, Victor could afford to buy a small Renoir oil called Coco With Fan (1906). The painting proudly hung in the Smorgons’ Toorak home, with the rest of their collection.
But while the couple were away on holidays, their treasure was stolen! A Kew art dealer acted as a go-between and offered the owners the painting back for a huge ransom, but the insurers and police advised the Smorgons not to pay. 5 years later, Dutch police raided a hotel, found the painting and arrested five thieves. The Renoir was returned to Melbourne, in 1985! Who had gained entry into the Smorgon home and what role did the art dealers play? Holsworth’s writing was based on broad research in newspaper archives, observing trials, interviews and experience in the art world. But he couldn’t answer every detail.
When Victor Smorgon passed away in 2009, NGV Director Frances Lindsay noted that he was a great Australian. With his wife Loti he was one of the NGV’s greatest benefactors (60+ works) and a true friend to the visual arts in Australia.
A "Picasso Ransom 2" is already suggested with more stories emerging, including the protests in museums and stolen garden sculptures. Should Mark include a story about an art dealer stealing work from artists? The police don’t often get involved in what were business disputes. But if readers know of other art crimes in Australia, please email Mark.
Renoir
Coco with a Japanese Fan, c1906
Bridgeman
29 comments:
Intriguing story about art theft and crimes. It is almost becoming impossible to know what is real or not with today's technology.
I seem to remember a specialist Police Branch set up to deal with art crimes. Federal or state? Does it still exist?
It sounds a fascinating book. I looked at Mark Holsworth's blog. It's interesting to note that some business owners are offering their walls for artists to use.
roentare
I am a technological midget, but I know exactly what you mean. With AI, galleries and auctioneers won't even know which was an original art treasure and which was created last Wednesday lunchtime. However art crimes have been going on for centuries i.e forgery, money laundering, identity fraud, theft etc etc.
Surely we have to be much more alert now; the Picasso Ransom might help with that alerting process.
The book would be an interesting read. I think Australia punches above its weight with art shenanigans, especially if you include the Angry Penguins poetry hoax.
Train Man
in 2013 there was no reliable database recording stolen art, and few art crimes had been successfully prosecuted. So they finally decided to establish Australia’s first Art Crime Committee, attached to the NSW crime squad and the Fraud and Cybercrime Squad, and working with the insurance industry.
I presume it was the theft of Frans Van Mieris’ A Cavalier from the New South Wales Gallery in 2007 that finally got some action. The Dutch Masterpiece was valued at $2 million at the time.
jabblog
Black Mark is a blog well worth reading, nod.
My master's thesis was about Huguenot silver art in the late 17th-early 18th centuries. But back then it didn't occur to me that crimes were crimes, regardless of the art medium being created.
Andrew
I would have thought that Australians were nicer than that... but the more I read about art crimes here, the less certain I am. So now I will add the Australian Institute of Criminology Governmental Report, published back in 2000. It is still highly applicable to our discussion.
https://www.aic.gov.au/sites/default/files/2020-05/tandi170.pdf
The story of the Witch of Kings Cross is weird. Rosaleen Norton talked to Dracula, was expelled from her girls’ school and financed her art education by writing horror stories. Her own paintings were filled with naked bodies, elements of occult and floating demons. Awful!
Yet why did the police raid exhibitions of her art and why was she often arrested and banned?
Joseph
Rosaleen Norton was a risk taking artist, way before her time. Had she worked in the late 1960s and 1970s, she might still have been loathed by Christian traditionalists but not gaoled multiple times for transgressing the strict moral boundaries of the post-war years.
She didn’t value money, she had her art and religion, and she lived life in her Kings Cross coven with her witch friends. So perhaps the criminality was more connected to her public sex life, both bisexual and sadomasochistic.
This was really fascinating. And to think you knew someone included in the book. I sometimes think about private collectors versus museums. Or another words, letting everyone enjoy art rather than just those who can afford to buy it. But then again, we do have the right to own what we can buy. Thanks for sharing this. ASs I said earlier Hels, this was a really fascinating read.
Erika
my late mother was a journalist, specialising in education and culture. Her first cousins were novelists, classical musicians and choral conductors. So even though there was no art in the family, they all ran their social life in an important cultural centre in Melbourne. The art collectors became very close friends.
Hello Hels, Crime is everywhere. I am surprised this family would leave such an important painting hanging on the wall while they are away. I supposed some houses are so crammed with treasures that it would be impractical to put everything away. That is also a problem with elaborate showcases in the home--they seem to say, "Contents valuable. Steal me!" When I read about thefts like these, I often get the feeling that it is in inside job, and I wouldn't put it past some dealers (or their employees) to blab.
--Jim
Hi Hels - I too looked at Mark's blog - interesting person ... certainly lots of fascinating information in there. I'd love to read this book - but for now ... it'll need to remain on my TBR and get pile ... I'll check it out of the library at some stage. Thanks for introducing us ... cheers Hilary
Boa tarde de domingo e bom início de semana. Sua excelente matéria e reportagem, trouxe informações que nunca ouvi falar antes.
Luiz Gomes.
viagenspelobrasilerio.blogspot.com
I am a great fan of the Fake or Fortune series which I am sure you love too . The things is though that these days where HUGE prices are paid , the whole business has been corrupted . We have people who just squirrel away beauty in Swiss vaults where they are kept just to accrue value and never be seen to gladden our hearts .The other thing that really bothers me are the huge egos involved who decide "yes or no "on what often seems like quite flimsy evidence and prejudice . Even if I could afford to buy "the best" , I think I would stick with art which is being painted as we speak by very talented artists all over the world . We seem to have lost so many values in our modern materialistic world and loving a painting for its sheer beauty , skill and the meaning behind it in the search for ever big prices seems to be one of them .
Wasn't Rosaleen Norton also involved n the downfall and vilification of Eugene Goosens ?? Poor man who 's only fault seem to have been some private peccadilloes . Typical Australia of the 50sand 60s !!!!!
Parnassus
I knew crime was everywhere but I did expect people who made, bought, dealt in or exhibited art would be more moral than other people. Imagine the horror when the Smorgons waited 41 years to buy the artist of their dreams, got enormous pleasure from seeing and showing the Renoir on their wall, only to have it stolen. I do not think treasures should have to be hidden in a concrete crypt under the house, but I do think security and insurance should be top level.
However you make an extremely important point. If the crime involved an insider, no amount of security would help.
Hilary
the very best part of blogging is being shown fascinating books and journal articles that you would never have found yourself. This is true whether you can read them now or put on a TBR pile on your bedside table.
Even better, The Picasso Ransom is within readable size. Thank you Mark.
Luiz
art crimes were typically hidden in the past, because the people involved thought they were too classy to have police crawling all over the place. Now I hope we are more honest.
mem
I do love Fake or Fortune, and yes I agree that sometimes the "yes or no" response rests on less than rock solid evidence. But the experts ask the right questions about original artists, later changes, provenance, fakes, thefts, travel to different cities and countries etc.
My spouse is a radiologist, just the right person to have if we are looking for new evidence on old art works :)
mem
I knew nothing about Sir Eugene Goossens, except that he had a great career in Britain as a conductor and composer. Apparently he had sexual obsessions about Pan-worshipping witches, which didn't matter in the UK because it was private. But after 1947, as chief conductor of the NSW State Conservatorium, his fame and talent were overridden when he bought a book called The Art of Rosaleen Norton in Sydney. Together the couple went on to create pornographic and pagan art, wrote letters, sold pornographic photos and black magic paraphernalia.
Norton was gaoled; Goossens was protected as long as he left Australia immediately. In 1956, he did.
I don't own any famous paintings, but I have some paintings that I like, and am attached to them. When we got rocketed by Saddam Hussein, and we had to run for shelter, I took the paintings off the walls, and never put them back. It was for the first time that I sensed fear of losing something valuable to me, by fire or theft.
DUTA
I am horrified to hear of rockets over your home.. that is something a person rarely recovers from totally.
The big question we used to ask ourselves (as impverished young marrieds) was "If bushfires were en route to your house, what would you save in the wine cellar before you urgently drove away?" My top priority was family history - photo albums and written records from Russia, Israel and Australia. My thinking was that most items can be re-bought but I may be the only person in the world with treasures from Odessa, Simferopol, Mariupol and Jaffa. However after 52 of marriage I finally some treasures, and may go for saving 4 paintings now :)
Art crimes are fascinating! The books sound like they are worth reading.
I would also like to be married to someone who promised me a Renoir and was able to buy me one.
Viola
Art crimes are very often fascinating, especially if the criminals use their intellects and not brute force, yes! Embarrassing to admit it but I was fascinated with the stories resulting from Mark's research and writing.
I asked my husband for Klimt's Portrait of Adele Bloch-Bauer I (Woman in Gold) for $135 million back in 2006 money. So he bought me a print of the work *cough*
I have just read a chapter from Holsworth's recently released - The Picasso Ransom. I thought it may be interesting because I am related to the individuals concerned (in one chapter) but I always get a wonderful laugh when an Ärts graduate' tries to form and articulate an opinion. I was not disappointed as it didn't take more than opening the book to see the stereotypical left wing Arts graduate irrational rantings on full display. On page 2 there is a warning for Aboriginals because they will see the names of people who have died in the book. New flash - we all die and color does not differentiate. Deal with it. In the case of interest to me there was no research into the individuals past. This was unsurprising as it was written by an Arts graduate but at the same time they are almost always the ones who come out with - "oh he/she had a tough upbringing so they need significant latitude or a reduction in the penalty because they have had a hard life growing up". Where is the consistency? If you are going to play the 'lefty'do it on both sides of the equation. I support no leniency to people who do the wrong thing. It needs to be applied in all cases without exception. Unfortunately that doesn't suit the 'lefties' because they always want special treatment for the supposedly "vulnerable & disadvantaged" when things don't go as planned. Not everyone who has experienced a tough upbringing is the same color or lives in low income regions with higher crime. You need to do a little more research just as after years of searching I managed to finally locate an Arts graduate who possessed a 3 digit IQ rather than the standard 2.
Anonymous
who is the Arts graduate you dislike and why cannot Arts graduates try to form and articulate opinions?
There are a lot of Arts graduates who go into politics (often on the left side) or take up journalism. It gives them a voice. In some cases a sense of superiority results rather than the mediocrity they endured during their educational years when they were unfavorably compared to science, medical, commerce or law type students. Arts graduates almost always study humanities subjects in High School not because they want to but because they find mathematics or science subjects intimidating or simply too difficult. I have never met a 13 year old who said "I want to be an Arts graduate" but I have met innumerable young people who want to become doctors, lawyers, accountants, veterinarians or scientists. In this book why immediately bring up Aboriginality? It has no relevance. Race has nothing to due with criminals committing crimes. A crime is a crime. A criminal is a criminal. Everyone dies (their color is an absolute irrelevance). I read the names of dead people everytime I pick up a book or newspaper. I don't require a health warning or counselling. I have a photo of my deceased mother in my lounge room. In the book my relations who are written were found guilty and convicted. The back story on one of them is amazing and never came out and even I don't know why. We talk out some kids having it hard growing up. This is especially common in the snowflake generation we are enduring now. We have children who are scared to sit an exam and receive an ATAR score. How pathetic is that? They live in one of the best and safest countries in the world yet they find the idea of sitting an exam frightening. Do they ever expect to get a job where you need to think? The individual I am related to correctly paid a price for a crime but lived a very different life during childhood. If appropriate research had been conducted by the author this would have been discovered. I have a row of books in my personal library about what this individual and other children at the same time endured through no fault of their own. Let us just say that a group of Australian children experienced post WW2 (Hiroshima Japan) a little closer to the action than most. This occurred under the watch and acceptance of that former train driver who was elected Prime Minister of Australia. I don't blame him - the goose obviously didn't know any better.
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