The Villa of Masterpieces is home to the Magnani-Rocca Foundation, one of the most important art institutions in Europe and one of the most active museums for its cultural programmes. The villa was surrounded by the Romantic Park, a large English garden displaying exotic plants, monumental trees and magnificent peacocks.
The Foundation was created in 1977 by art historian Luigi Magnani (1906–1984) whose special collection featured works by Gentile da Fabriano, Monet, Renoir, Goya, Titian, Dürer, De Chirico, Rubens, Van Dyck, Filippo Lippi, Carpaccio, Burri, De Pisis, Tiepolo, Canova, Cézanne and a large collection of Giorgio Morandi. And sculptures by Canova & Bartolini. The star painting, The Family of the Infant Don Luis by Goya was the emblem of this very fine collection.
1.Fish by Pierre-Auguste Renoir, 1913
2.Still Life with Cherries by Paul Cézanne, c1886 and
3.Odalisque on the Terrace by Henri Matisse, 1885
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The theft took place within 3 minutes at night worth c£7.8m. The thieves forced open the entrance door to get into a room on the first floor before escaping across the museum gardens. The criminal operation seemed well organised, entering the villa at the night, and disguised themselves even more by wearing hoods and masks. Media reports noted the gang quickly carried out the operation because they were interrupted by the museum's alarm system. They had apparently planned to steal more than just 3 works but had not been able to go any further due to the surveillance system (both in the museum and in the neighbouring facilities) and the rapid intervention of police and security officers. So they had grabbed the 3 paintings, forced open the door and ran across the lawn.
What will happen to Renoir, Cézanne and Matisse? I hope they will be found because The Carabinieri Cultural Heritage Protection Unit, a famous elite squad specialising in art theft, is actively inspecting. As is the Cultural Heritage Protection Unit of Bologna. So it may depend on whether the thieves sold the paintings onto Italian auction houses, smuggled them to the USA, burned the works so searchers would find only embers, or left the paintings in their wills to their grandchildren.
Magnani-Rocca Foundation near Parma, Nth Italy
Artnet News
Inside the villa, the old placement of furnishings was kept to maintain a lived-in home feel. Visitors can admire precious Empire-style furniture and objects, classy charm coming from its neo-classical and Empire-style furnishings by Jacob. Impressive also was Thomire’s large malachite cup, a gift from Tsar Alexander I to Napoleon. The restoration & transformation of the villa into a museum used most advanced standards set by the Italian Cultural Heritage & Landscape Code. This was to ensure the preservation of works and to suit hosting high-quality visiting exhibitions.
4 masked men entered Magnani Rocca Foundation Villa, near Parma in N. Italy, and made off with artworks in Mar 2026. They stole Renoir, Cézanne and Matisse paintings:
1.Fish by Pierre-Auguste Renoir, 1913
2.Still Life with Cherries by Paul Cézanne, c1886 and
3.Odalisque on the Terrace by Henri Matisse, 1885
Fish, by Pierre-Auguste Renoir
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Odalisque on the terrace, by Henri Matisse
mirror.co
`Still Life With Cherries, by Paul Cezanne
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The theft took place within 3 minutes at night worth c£7.8m. The thieves forced open the entrance door to get into a room on the first floor before escaping across the museum gardens. The criminal operation seemed well organised, entering the villa at the night, and disguised themselves even more by wearing hoods and masks. Media reports noted the gang quickly carried out the operation because they were interrupted by the museum's alarm system. They had apparently planned to steal more than just 3 works but had not been able to go any further due to the surveillance system (both in the museum and in the neighbouring facilities) and the rapid intervention of police and security officers. So they had grabbed the 3 paintings, forced open the door and ran across the lawn.
Villa of Masterpieces, Van Dyck Room.
kreativehouse.it
Villa of Masterpieces, Goya Room
kreativehouse.it
Italian news agency ANSA posted pictures of the stolen works on line, to alert anyone who might see the stolen art, so perhaps the auction houses will be cautious. Despite being investigated by Italy’s Carabinieri and the Cultural Heritage Protection Unit of Bologna, nothing has been found yet. If I, Helen, was stealing a painting for my home (i.e not to sell), I would not have taken Matisse’s. Rather, I'd have preferred a Van Dyck. Enjoy finestresullarte and BBC.
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3 comments:
It is then a public art museum. Aside from the absurd values of such paintings, I cannot understand how as such recognisable works, that they can be worth anything to try to sell. Maybe someone will sit on them for decades, maybe leaving them to their children, but they will still be recognisable.
The only conclusion I can reach is someone will just enjoy seeing these paintings on the walls of a room where no friends or strangers visit. Any whisper will quickly have the posessers quickly detained.
To carry out thefts so efficiently the thieves must have visited the rooms quite often to note entry, exit, dimensions and exactly where coveted paintings were hung. It's surprising none of this pre-planning was noticed by security guards so that extra safety measures could be installed.
The Magnani-Rocca Foundation is one of the most important artistic institutions in Europe. It houses Luigi Magnani’s unique collection with works by Monet, Renoir, Cézanne, Goya, Tiziano, Dürer, De Chirico, Rubens, Van Dyck and others, and the most significant collection of Giorgio Morandi. The Villa preserves the sophisticated charm of its illustrious visitors, with its Neoclassical and Empire furnishings and the Romantic Park with exotic plants, monumental trees and beautiful peacocks.
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