10 October 2010

Olympic fever and modernist architecture, 1956

While we are still enjoying multiple-channel, around-the-clock coverage of the 2010 Commonwealth Games in New Delhi, now would be an appropriate time to examine the development of water-sport facilities for the 1956 Olympic Games in Melbourne.

The 1956 Olympic Games in Melbourne were the first Olympics ever held in the southern hemisphere, so Australia was very keen to be seen as professional, modern and successful in its sporting endeavours.

The completed pool, exterior
Note the closed space and modernist architecture

The Olympic Pool was to be purpose-built as an indoor sporting arena for diving, swimming and water polo; plus it was to be the venue for the swimming part of the modern pentathlon events. And it was to be the first fully indoor Olympic swimming venue in an Olympic Games!

An international competition was held in 1952, to design and build the most modern water-sports building ever. It was won by architects Kevin Borland, Peter McIntyre, John and Phyllis Murphy and engineer Bill Irwin who, in 1953, formed a partnership that continued for three years.

The Olympic pool interior - water polo

Their design was for a pool that would be enclosed in a dramatic structure. Raked tiers of stands on either side were tied together at their highest points by elongated lozenge-shaped roof trusses. The structure was stabilised by ties running from the same points down to anchors in the ground. Construction began in October 1954 and the building was completed in 1956.

David Islip had no doubt that the 1956 Games were the crowning achievement of the Melbourne School of Architecture in the post-war period. He showed that the pool in particular was successful in representing a spirit of optimism; Australian architecture was given a taste of national identity. Australia's most impressive architectural photographer, Wolfgang Sievers, was commissioned to document the building in a series of eight stunning images.

The engineer responsible for the filtration system was Les Webberley, my father. By the time the building had finally been completed, there was a rush to have the 300,000 gallons of water brought to the two pools and to have the filtration system in perfect condition. The daily newspapers were filled with articles about whether the pools would be in pristine condition before the first athletes stood on their starting blocks. They were!

Les Webberley, filtration engineer, The Herald, 12th Sept 1956

Finally, in November 1956, the Olympic Games were officially opened by Prince Philip. The Olympic Flame was lit by Ron Clarke and the Olympic Oath was taken by John Landy.

It was in the pool that Australia really excelled. Melbourne saw the Olympic debut of two of the Games’ heroes, Dawn Fraser and Murray Rose. Fraser won gold medals in the 100m freestyle and 4 x 100m freestyle and a silver in the 400m freestyle, while Rose won three amazing victories in the 400m freestyle, 1500m freestyle and 4 x 200m freestyle. Lorraine Crapp won the 400m freestyle and was in the winning 4 x 100m freestyle relay; David Theile was the champion of the 100m backstroke; and Jon Henricks won the 100m freestyle.

I have no doubt that the 1956 Melbourne Olympics gave us our biggest sense of excitement since this city held its only International Exhibition, way back in 1880. The Olympic Pool is the only major stadium structure from the 1956 Games largely intact today. Appropriately, it is listed on the Victorian Heritage Register.

Presumably every nation wanted to wow the world with its Olympic archit­ecture. Swimming blog  mentioned the importance of the swimming pool architecture for the 1960 Games in Rome. Apparently Foro Italico's 50-meter indoor pool was loaded up with fascist art and architecture, even though it was completed 15 years after the end of WW2. The neoclassical building, similar to an ancient Roman bath, was built using designs created during the fascist era and by the same architect. Attractive mosaics covered the deck and the walls.





10 comments:

David Thompson said...

Great post Helen. I've known the building as a swimming pool, concert venue and now an elite sports training venue. Lovely to read about your family connection.

Hermes said...

You do post such interesting things, not being sporty I'd never thought about this.

Hels said...

David and Hermes,

I haven't played sport since uni days... in the *cough* mid-late 1960s.

But somehow a city seems to rise to the challenge presented by once-in-a-century special events eg Olympic Games or International Exhibitions.

Melbourne really made a huge effort to sparkle, even though we had almost no new public architecture in the 1939-45 period and very little new public architecture in the immediate post-war period.

Andrew said...

I assumed it had been demolished. I am sure it wasn't your father's fault, but I recall the pool used to leak badly in the late eighties I think.

Kevin said...

Interesting post. The story of the pool water is fascinating.

Hels said...

Andrew and Kevin,

If we examine the architecture with 2010 eyes, we may not understand why people were so impressed with the building's modernity back in 1956.

But the raked tiers of stands on either side were quite dramatic. And even though the building was closed in, glass walls at both ends filled the space with natural light.

So I suppose it doesn't matter so much that the space has been used for rock bands over the last 54 years or that water leaked in the 1980s.

Merisi said...

Thank you for this interesting glimpse back to 1956!
This architectural gem still leaves one in awe.

Hermes said...

You might find this interesting. Just come on the wires:


http://www.artdaily.org/index.asp?int_sec=2&int_new=41713

Jim Belshaw said...

What a nice story, Helen.

Hels said...

Merisi

Tonight I saw the architect Peter McIntyre interviewed about the problems (especially noise) encountered by the pool's totally closed-in design and the concrete floors/seats. His greatest fear was that the official race instructions and commentaries would not be heard properly.

So in late 1956 he tested the sound problem with a concert in the pool, played by the Melbourne Symphony Orchestra. Handel's Water Music was played on a stage built over the water of the diving pool. It all worked well!